A LETTER EDGED IN BLACK 4: NO QUARTER       Pete Schulte     April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER  

Pete Schulte  

April 2016

   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

   A Letter Edged In Black     Record:  The First Fifteen Minutes of The Third Hour,  excerpted from a live three-hour sound installation composed and performed by Andrew Raffo Dewar and Brad Davis; silkscreen on vinyl  Object: Latex on MDF, gla

A Letter Edged In Black

Record: The First Fifteen Minutes of The Third Hour, excerpted from a live three-hour sound installation composed and performed by Andrew Raffo Dewar and Brad Davis; silkscreen on vinyl

Object: Latex on MDF, glass, letterpress on paper, turntable

2015

   Expulsion    Graphite on paper  2016

Expulsion

Graphite on paper

2016

   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

   Lover, I've Been Away Too Long (No Quarter pt.2)    Graphite, gouache on paper  2016

Lover, I've Been Away Too Long (No Quarter pt.2)

Graphite, gouache on paper

2016

   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

   The Clock    Enamel on aluminum with steel bearings  2015

The Clock

Enamel on aluminum with steel bearings

2015

   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

   Night So Long    Graphite on black paper  2015

Night So Long

Graphite on black paper

2015

   John The Revelator    Graphite, gouache, ink, pigment on paper   2016

John The Revelator

Graphite, gouache, ink, pigment on paper 

2016

   Luke The Drifter    Graphite, ink on paper  2016

Luke The Drifter

Graphite, ink on paper

2016

   Peter The Chanter    Graphite, ink on paper  2016

Peter The Chanter

Graphite, ink on paper

2016

   Expulsion    Graphite on paper  2016

Expulsion

Graphite on paper

2016

   Lover, I've Been Away Too Long (No Quarter pt.2)    Graphite, gouache on paper  2016

Lover, I've Been Away Too Long (No Quarter pt.2)

Graphite, gouache on paper

2016

   The Belletrist    Graphite, gouache, ink on paper  2015

The Belletrist

Graphite, gouache, ink on paper

2015

   A LETTER EDGED IN BLACK 4: NO QUARTER       Pete Schulte     April 2016
   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016
   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016
   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016
   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016
   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016
   A Letter Edged In Black     Record:  The First Fifteen Minutes of The Third Hour,  excerpted from a live three-hour sound installation composed and performed by Andrew Raffo Dewar and Brad Davis; silkscreen on vinyl  Object: Latex on MDF, gla
   Expulsion    Graphite on paper  2016
   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016
   Lover, I've Been Away Too Long (No Quarter pt.2)    Graphite, gouache on paper  2016
   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016
   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016
   The Clock    Enamel on aluminum with steel bearings  2015
   A LETTER EDGED IN BLACK 4: NO QUARTER     Pete Schulte   April 2016
   Night So Long    Graphite on black paper  2015
   John The Revelator    Graphite, gouache, ink, pigment on paper   2016
   Luke The Drifter    Graphite, ink on paper  2016
   Peter The Chanter    Graphite, ink on paper  2016
   Expulsion    Graphite on paper  2016
   Lover, I've Been Away Too Long (No Quarter pt.2)    Graphite, gouache on paper  2016
   The Belletrist    Graphite, gouache, ink on paper  2015

A LETTER EDGED IN BLACK 4: NO QUARTER  

Pete Schulte  

April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

A Letter Edged In Black

Record: The First Fifteen Minutes of The Third Hour, excerpted from a live three-hour sound installation composed and performed by Andrew Raffo Dewar and Brad Davis; silkscreen on vinyl

Object: Latex on MDF, glass, letterpress on paper, turntable

2015

Expulsion

Graphite on paper

2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

Lover, I've Been Away Too Long (No Quarter pt.2)

Graphite, gouache on paper

2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

The Clock

Enamel on aluminum with steel bearings

2015

A LETTER EDGED IN BLACK 4: NO QUARTER

Pete Schulte

April 2016

Night So Long

Graphite on black paper

2015

John The Revelator

Graphite, gouache, ink, pigment on paper 

2016

Luke The Drifter

Graphite, ink on paper

2016

Peter The Chanter

Graphite, ink on paper

2016

Expulsion

Graphite on paper

2016

Lover, I've Been Away Too Long (No Quarter pt.2)

Graphite, gouache on paper

2016

The Belletrist

Graphite, gouache, ink on paper

2015

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